“I have favourites, but different people like different designs. Given the freeform nature of your work, do you have a best-selling product? As you can see, I can make someone’s dream guitar come to life.” After I finish my painting and selection of components, I hand it over to the luthiers I have selected to then complete the final product. There is a large selection of pickups and other accoutrements that are available to me, manufactured or custom-made by the handful of luthiers I work with. Yet, I can still offer a variety of styles, but they will be ones pre-fabricated, in stock by my suppliers. If my suppliers can make it, I can do it. “A neck can be as customized right down to the wood choice, size and material of the fret wire and the colors and style of an inlay. I buy pre-cut necks and bodies from industry sellers.” From switches to pots, special requests in the usual hardware can be installed if it is out there and I deem it compatible with the design of the instrument. Parts like bridges and tuners, knobs, necks and pickups can all be ordered according to someone’s specifications. I do offer an array of options you’d expect to see in a custom ordered guitar. When someone specifically admires and requests a guitar of mine that is in my inventory or has been sold, I will create a guitar that is similar. That one is not for sale, but others like it are on my website.” Years later, in the 2000s, I had one of my bodies built by a local Luthier into what would become my very first-hand painted, Strat-style guitar.
A cabinet maker friend sprayed the clear coat finish in her shop. And just like that I had found my ‘buried treasure.’ At home, I had all of the paints. My eyes lit up in anticipation and excitement. When I arrived to see what they had found, I was handed an off-white guitar body headed for the dumpster. I went to my local guitar store and asked if they had any guitar bodies. I had a vision and decided that I would paint a guitar body for myself. What first drew you to using guitars as the focal point of your practice? READ MORE: A brief history of Marshall amps.I was attracted to his freshness and his originality that I’d like to think is in my work.” Also, he was an original and a mathematician. But their brightness and contrast, their subliminal lyric and flow, suggested what sound looked and felt like. Some of his pieces look like music staves, notes and instruments, themselves.
It was very remarkable how he achieved that. Kandinsky’s artwork reflected a galaxy of choreographed images, like a dance and a symphony, in painted shapes and lines.
I was very stimulated by the abstract scenes he set into motion. I immediately connected with the forms and especially the colors he portrayed in his compositions. “I was exposed to the work of Kandinsky (and others) while growing up. How did that influence develop and how does it connect to music? 2008/Jan.You’re heavily inspired by Kandinsky’s abstract works.
#Dream love vs money update
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